‘The Dance Plays On’ reads quite like a Victorian Gothic story. All the classic elements are present, and yet this story is quite original. In an opening scene that could have come right out of Austen’s ‘Mansfield Park’, the author introduces the main character, her guardian, and a handsome, heroic young man.
Elspeth is the most fully developed of the characters, while some remain somewhat two-dimensional. It must be said, though, that this is neither unusual nor out of place for a story of this length. While immediately positioned to like and favour Elspeth, the reader is less enamoured with her guardian, Mrs McIlroy, and experiences quite some relief to see her develop so that she becomes less aloof and detached, and actually demonstrates genuine care and affection for both Elspeth and her beau.
I enjoyed the melancholy, haunting tone and the eerie foreshadowing of the second half of the story, which kept the “heroine in distress” trope from being cliched or predictable.
This beautiful story has been awarded a Silver Acorn.
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