The third book in Martin Jensen’s ‘King’s Hounds’ medieval historical mystery series, ‘A Man’s Word’ is an intriguing murder mystery set in the village of Thetford. The mystery is complex and challenging, presenting a variety of possible suspects and motives which are further obscured by the transient population visiting the town for the court sessions and the markets.
Like ‘The King’s Hounds’ and ‘Oathbreaker’, the narrative is enriched with local colour and characters who add further dimensions to the story, and with historical detail that brings the context and setting of the story to life. Being immersed in the story causes the reader to consider the facts and develop theories about investigation, which increases their engagement and investment in the plot while Winston, Alfalfa and Halfdan conduct their inquiries and develop and test their theories.
This is a most enjoyable and satisfying mystery read.
‘The Sage’ is an excellent conclusion to the trilogy that tells the story of Lilith and her pursuit of the truth about her identity and her destiny in the magical community.
Like the first two books in the series, the story is fraught with tension, twists and suspense that keep the reader deeply engaged in the story while Lilith, Willow and the Elemental Coven fight for both survival and justice.
This is an excellent story, and is really well written. I found the whole trilogy to be highly original and very compelling.
This is a really good mystery set in India in the 1970s. The cultural insights add a fascinating layer of interest to the story and further complicate the mystery at the core of the novel.
The characters are diverse and colourful, each of them with something to hide and many of them with a motive for the crime.
The story is well crafted and keeps the reader guessing throughout. It’s easy to read, and the glossary at the back proves very helpful in understanding the Indian words used for cultural items such as clothing and food. The settings are easy to visualise, and the colours, textures and flavours of India are evoked by the author’s provision of wonderful sensory detail.
Overall, this is an excellent piece of murder mystery fiction.
Dark, witty and ironic, ‘Good Omens’ is a brilliant read. This should come as no surprise, given that its authors are both creative geniuses.
This audiobook recording is brilliant. The casting is fabulous and the performances are outstanding, making this an excellent listening experience which is entertaining and thought-provoking at the same time.
’Good Omens’ ticks all the boxes for the perfect dark comic fantasy.
This is a beautiful short story that reminds us all that Christmas can be really challenging for those who have lost loved ones and miss them terribly. By sharing Julie’s thoughts and feelings, the author positions the reader to empathise with her and forces them to consider the power that grief and loss can have at Christmas, especially when other people are so cheerful.
Even stronger, though, are the power and the warmth of the love and the words that bring healing to Julie’s heart.
Full of love and Christmas spirit, this is a story that would suit both individuals and families at any time of year, but especially during December.
Set in Dublin and framed in the context of a murder case that is about to go to trial, this intriguing story immerses the audience in the lives of two very different sisters and their individual perspectives of the investigation, both of which are complicated by inner conflicts and their family’s own dark backstory.
The murder case at the centre of the story presents a unique set of challenges, and requires the ingenuity and commitment of both sisters to find the answers and see justice delivered.
The story is very well written and the narration by Aoife McMahon is expressive and engaging.
Despite the fact that ‘What The Gods Allow’ is something of a change of pace for J.S. Frankel in that he usually writes fabulous YA and NA science fiction, this book is infused with Frankel’s trademark clever storytelling style and humour that engage the reader in the story and hook them so effectively that they lose all sense of time and place as they read.
On one level this is an urban fantasy story of the ancient and modern worlds meeting in a quest to restore balance between the two. On another level, it’s a story of friendship, trust, and acceptance of differences in culture and appearance. It’s a story that reminds the reader that you can’t always believe what you’ve been told about someone, and that sometimes it’s the gods who are the monsters.
The story is fun and engaging, deepened with moments of tension and driven by a deadline that compels the main character, Meddy, to fulfil her mission with a sense of urgency despite the growing conflict within her that makes her want to stay right where she is and keep her new life in 21st century Portland.
An excellent read, ‘What The Gods Allow’ is a book that will appeal to readers of paranormal and urban fantasy.