‘Dragon School’ is outstanding YA fantasy adventure featuring Amel Leafbrought, a teenage girl beginning her career as a dragon rider.
Despite significant physical and social challenges, Amel demonstrates determination, integrity and resilience, presenting a really good role model for young people who often confront obstacles of one kind or another in achieving their goals. Her discovery of abilities that others do not have is a powerful element of Amel’s narrative, and serves as a strong encouragement for others who experience physical disabilities or limitations.
Amel’s experiences of other people, whether peers, teachers or dragons, demonstrate important lessons about the importance of careful discernment about who should be trusted, and about the true nature of friendship.
This series is highly original and well constructed. The story progresses at a very good pace, with plenty of adventure balanced by reflection and the development of friendships and connections between characters. The imagery is colourful and detailed, the characters diverse and varied, and the complications and problems they face are compelling.
The world building is unique and interesting, featuring complex and thought-provoking social systems, detailed and thoughtful architecture, and geography quite unique to this world.
The narration by Jigisha Patel, is clear and fluent, with excellent diction and expression, although there are a couple of minor errors. Her use of voice and tone to develop character and deliver the narrative results in a compelling story that is as engaging and enjoyable as Wilson’s writing.
While there are more episodes to follow, this audiobook ends with sufficient resolution to satisfy the audience, and a tantalising promise of more adventure to come.
‘The Blue Moon Caper’ is a the fifth of the Damien Dickens mystery novel/audiobook series.
Like the earlier instalments in the series, the book does stand alone, but will deliver spoilers for the previous books. There is definite continuity, but also some new characters and settings, and some great twists, that help to keep the ongoing story interesting and engaging.
Tom Lennon’s narration is well paced and entertaining, making excellent use of voice and accent to differentiate between characters and animate and narrative.
‘The Gold Dragon Caper’ is a the fourth of the Damien Dickens mystery novel/audiobook series.
The story is complex and full of intriguing twists, and progresses at a pace that keeps the reader hooked without feeling rushed. A number of the characters from previous books in the series return in this story, giving a pleasing sense of continuity and connection for those who have read or listened to them, but there are also enough new characters to keep things fresh and interesting.
The book does stand alone for readers who have not read the previous installments, but will deliver spoilers for anyone who might want to read the earlier books.
The narration by Tom Lennon is very easy to listen to, and very much suits the detective noir style and tone of the story.
In ‘The Bone Witch’, there are two narratives which seem at first to be separate, but eventually reveal themselves to be interwoven to create a vast, rich tapestry of storytelling that binds the listener in its magic.
This magical dark fantasy is a spellbinding story in which fate and magic balance one another as Tea discovers her destiny and learns to use her powers and make important choices wisely.
The narrators tell the story fluently and engagingly, with clear diction and good expression. Both are pleasant to listen to, and the two complement each other as effectively as their stories do.
’The Bone Witch’ is a brilliant fantasy coming of age story, whether enjoyed as a novel or an audiobook.
’The Binding’ is a tragic and compelling historical fantasy story of unlikely alliances, forbidden love, and the power of memories. The writing is beautiful and the story is superbly crafted. The narration by Carl Prekopp is a joy to listen to, as he gives life and voice to the characters and enchants the listener into feeling as though they are actually there as the events unfold.
The story explores timeless themes including patriarchy and the abuse of power, particularly in terms of social class but also when it comes to the way society as a whole viewed same-sex relationships in the past. Because all of those prejudices still exist in society today, albeit to a lesser extent, the story is powerfully relevant.
The characters, particularly Emmet and Alta, are developed so fully that the audience feels as though they know them intimately, which creates an emotional investment in their lives. This depth of feeling heightens the tensions of the complications and challenges they face, and makes the twists and revelations of the story more impactful.
‘The Binding’ is available in ebook and novel as well as audio.
Dark, witty and ironic, ‘Good Omens’ is a brilliant read. This should come as no surprise, given that its authors are both creative geniuses.
This audiobook recording is brilliant. The casting is fabulous and the performances are outstanding, making this an excellent listening experience which is entertaining and thought-provoking at the same time.
’Good Omens’ ticks all the boxes for the perfect dark comic fantasy.
Set in Dublin and framed in the context of a murder case that is about to go to trial, this intriguing story immerses the audience in the lives of two very different sisters and their individual perspectives of the investigation, both of which are complicated by inner conflicts and their family’s own dark backstory.
The murder case at the centre of the story presents a unique set of challenges, and requires the ingenuity and commitment of both sisters to find the answers and see justice delivered.
The story is very well written and the narration by Aoife McMahon is expressive and engaging.
A stunning, tense and dark adventure that carries the reader from the streets of Ketterdam to the splendour of the Ice Court on the most dangerous mission Kaz Brekker and the Dregs had ever taken on.
The writing is powerful and compelling, conveying the desperation and adrenaline of the story, and the imagery is rich in sensory detail.
Telling the story from the different characters’ perspectives create an intriguing dramatic irony that both informs the reader and helps to build the suspense and anticipation that completely hooks the audience.
The narrators – one for each central character – are expressive and very listenable, making the story flow and creating a very effective interweaving of the strands of the story. The characters really come to life with the audio, especially in the recounting of their backstories, the exposition of their thoughts and fears, and the revelation of their perceptions and responses to the other characters and the experiences they share.
The story remains suspenseful and maintains the innate tension of the story right to the end.
This novella-length story serves as a prequel to Goodwin’s The Forensic Genealogist historical mystery series featuring Morton Farrier, using an intriguing research case to frame the beginning of Morton’s relationship with Juliet.
Morton’s investigation takes him back to 1924 and the death of a young woman in an asylum. The results of his research are completely unexpected, in more ways than one.
The story is well-constructed and highly engaging, with some really nicely crafted creepy moments and great twists to keep the reader guessing.
The narration is clear, well-paced and most enjoyable to listen to. The audiobook runs for a little over 2 hours, a great length to for well into a quiet afternoon, a drive or a longer commute.
A work of historical fiction, although based on the life story of one of the author’s forebears, this is an interesting story that is probably quite realistic about the prospects of a younger daughter of a prominent family during the early years of the reign of James I.
I confess I almost stopped listening as early as the prologue, in which a man speaking as though he were present when the young Princess Elizabeth was taken into the Tower of London was still alive as its Keeper in 1617. I returned to the beginning and listened again, decided the way in which that section was phrased was ambiguous, and continued with the story.
The main character, Lucy, seems at times to be almost too virtuous to be quite believable, although she does have her moments where her flaws and human nature are revealed, in which she seems more relatable. For some readers, her tale will evoke deep sympathy, while others may feel she spends too much time engaging in self-pity and decrying her lot in life as the victim of the selfishness and vanity of various other people.
The most believable characters are the hateful ones: Lucy’s sister Barbara, Aunt Joan, and Frances Howard. These characters exemplify the worst of human nature, along with a certain young man who is fickle at best and heartless at worst. It is in disliking these characters that the reader feels the most empathy with Lucy.
The narration is most enjoyable, with lively expression and very good use of tone, voice and accent to bring the characters to life.
Overall, it is a fairly good story, expertly narrated.