This new mystery suspense story from author Alan Zacher is out now!
Tom Mayor is a man in his mid-fifties who had done nothing with his life. Never had a steady job living off his parents, and he was a closet drunk. Then, as a joke, he told his mother that he had “the stuff” to be a private detective, like the “Thin Man”. With the help of his mother, he gets his first case, and after some difficulties, he solves the murder of the next-door neighbor’s granddaughter. The case made him famous—and rich! The father of the murder victim gives him a million dollars. Life, for the first time in his miserable life, is good for Tom. But now, someone is trying to kill him. Who? Why? To find out, Tom must become a P. I.— Again!
Alan Zacher turned to writing after many years of being a “struggling” actor in LA. He has had two novels published: “I’m No P. I.” and “A Ghoulish Good Time.” Having had MS for serval years now, he knows physical and mental pain and looks to laughter to endure it. He hopes that his novels do just that–give much laughter.
This is a good short story for October and Halloween reading. What starts as a sinister and tense story develops into a tale of fear and flight before growing darker and more horrific.
The tension and sense of dread grow steadily, making both the main character and the reader increasingly uncomfortable before the true horror of the forest is revealed. The author combines elements of foreboding, macabre, revulsion and fear to influence the reader’s feelings and reactions.
Even though the title gives away the fact that there’s something lurking in the woods, this story is quite original and well written.
There is some adult content, so it’s not recommended for kids.
It’s common knowledge that taking drugs isn’t good for you — and you should never take something if you don’t know what it is.
This chilling tale reinforces that premise in a very powerful and graphic way. The portrayal of seedy drug dealers and drug use may seem stereotypical to some but is probably quite accurate and certainly feels realistic to the reader.
Camille’s experiences when she swallows what is in the black vial are shocking on both a physical and a psychological level. The author combines the horror of the unknown with a very cleverly constructed sense of dread to position the reader to fear for Camille and anticipate possible outcomes that may await her.
At times grungy, at other times macabre, this a short but effective dark suspense story.
As unpleasant as the experiences may be, it is often when experiencing persecution or encountering conflict that people make surprising discoveries about themselves.
That is absolutely the case for Rae Schwarz when she discovers that there is much more to her life than homework, preparing for Halloween and avoiding the school bully. What ensues is a story of resilience, friendship, loyalty, discovering new talents and looking beyond the surface to recognise what is hidden underneath.
This story is refreshing and original, written with a very comfortable style and personal tone that makes it very relatable and highly engaging. The characters are interesting and varied, each complementing the others in ways that are not immediately obvious to the reader at the outset, and demonstrating the it is entirely possible to be ordinary and extraordinary at the same time.
A book laden with positive messages and values, ‘You’re Not A Goth Until You Sack Rome’ demonstrates a profound acceptance of differences and individuality and encourages the reader to recognise their own unique combinations of personality, ability and talent, and to learn to see others in the same way.
This is a most enjoyable and entertaining story, written for a YA audience but suitable and appealing for all ages.
The concept of coffee being magical is not a new one by any means, but how good would it be if a barista could brew a bit of luck or confidence into your next cup? Similarly, the tale of Cinderella is not new, but this adaptation of the story has qualities that are original and different. It is an unexpected and delightful brew indeed.
The author has given the old story a new setting and context, and provided some interesting twists to keep readers guessing.
The characters have been reinvented so that they are quite original, yet recognisable and true to the conventions of the much-loved fairy tale. The central characters are likeable and relatable, and their interactions are natural and engaging.
The target audience is YA, but it is a story that will be appealing for a much broader readership. This is a really fun and engaging read.
This is a dark, horrifying tale that grasps the reader in its talons and holds them captive, right to the end.
The different parts of the narrative seem disjointed, and to not make sense at first, but that is the intended effect: this is a nightmare, a living hell, flashes of lucidity and terror that draw the reader into the different kinds of horror that the central characters each find themselves in.
The story lurches and rolls, disorienting and impossible to predict, reflecting the turmoil of the main characters’ deepest thoughts and feelings. As the story plays out, the strands of the narrative pull together to create structure and resolution from the mayhem.
The one thing that really annoyed me was the failure of the author to differentiate between ‘slither’ and ‘sliver’, using the one word for both meanings as though the second does not exist on more than one occasion. This may seem like nit-picking, but it demonstrates yet again that there is no substitute for a good editor if an author wishes to avoid frustrating their readers.
This is not a book for the faint of heart, but it is certainly a gripping read.