‘Regency Love’ is a delightful journey through Regency England, a period familiar to readers of Jane Austen. This is a most original and entertaining work, carefully researched and attentive to detail, and still absolutely captivating in its delivery of the story of Anne Frithringham.
The characters are vivid and animated, drawing the reader into their world and playing their roles to perfection. The author has created original personalities consistent with the world and era in which they live, and who are concerned with the things that ladies and gentlemen of the time would definitely have had to deal with. Their interactions and dialogue are witty and engaging, keeping the reader deeply involved with their experiences and welfare.
The plot is carefully structured and well developed, so that the narrative flows naturally. The end result is a book that is very hard to put down once started, and which leaves the reader completely satisfied at the end.
Written for a considerably less conservative audience, this story deals with subjects that Austen could only ever hint at, yet it does so with language and style that remains tastefully consistent with Austen’s world.
‘Regency Love’ is deliberately not Austen, but it does feel like Austen. This reader is confident that, had they met, Anne Frithingham and Austen’s Elizabeth Bennet would have got along famously.
‘Prince of York’ offers a fascinating glimpse into the life of Reginald Pole, Catholic cardinal who also happened to be the nephew of English kings Edward IV and Richard III. As such, Pole found himself at odds with Henry VIII over more than his Church of England’s split from the Roman Church.
In the turbulent world of Renaissance, political intrigue and religious Reformation, Wilcoxson brings Pole to life, networks him with both prominent and humble people, places him in vividly drawn settings, and animates the conflicts and issues that confronted him in a highly realistic and compelling way. The reader has the sensation of looking on as the events of the story unfold, developing considerable empathy for Pole in the dilemmas and challenges he faces.
The story definitely presents history from a perspective that is not often explored through fiction. Unlike his more famous relatives, Pole’s responses to the world around him are characterised by his faith and humility. Wilcoxson’s Pole reminds the reader, as the man himself would have done, that there is always a bigger picture to consider and that the greatest success is not always found in personal gain.
The book is very well written and most enjoyable to read. Even though it is historical fiction, it feels authentic. Surely, for a work of fiction, there can be no higher praise than that.
Many excellent books have been written about different people’s experiences during World War II, each offering a personal perspective that is unique and yet similarly heartbreaking. ‘The Seven Year Dress’ is as compelling and profoundly personal as any of them.
Mahurin’s writing is, as always, vivid and realistic without being gratuitous in her depiction of life as a young Jewish woman in Germany both before and throughout the horrors of the Holocaust.
Told with honesty and deep emotion, Helen’s story brings to life the experiences of one German Jewish young woman and her family and friends. It is a story of friendship, resilience, and survival against all the odds.
This book is one that everyone should read, particularly in this world that is still plagued by hatred, racism and suspicion of anyone who dares to be different.
1066 was a pivotal year for England: it brought the death of two kings and end of Anglo-Saxon rule, the Battle of Hastings, and the Norman Conquest.
‘1066 Turned Upside Down’ is a collection of speculative historical fiction, presenting some very enjoyable reading and some really thought-provoking alternative histories.
As a collection, the quality of the writing is exceptional and the variety of possible outcomes presented is truly fascinating. My personal favourites are the contributions by Annie Whitehead and Joanna Courtney, but I also really enjoyed Richard Dee’s story that highlights the power of teachers to inspire and mentor their students.
It is not necessary to know the history of 1066 before reading: these stories will satisfy both curious minds and history buffs alike. The true historical context of each story serves as an introduction for the fictional account that follows.
The stories are all quite believable, each one challenging the reader to question: what might have been if things had gone even just slightly differently?
Lona Manning’s historical romance novel ‘A Contrary Wind’ is an excellent variation on Jane Austen’s Mansfield Park, and now stands as the first book in The Mansfield Trilogy.
‘A Contrary Wind’ is not new to this blog: the book was awarded a Gold Acorn review in January 2019, and won a silver award in the annual Golden Squirrel Awards in the same year.
That a second and third book have been written to follow and further develop Fanny’s story will delight all who have read the first instalment in the series.
This is a series that even devoted fans of Jane Austen will enjoy for its consistency with the language and style of Austen, even though the story does divert from that of Mansfield Park and follow its own original path.
What other reviewers have said about ‘A Contrary Wind’:
“…Excellent.. it’s a novel which certainly deserves a place on the bookshelves of a Jane Austen fan.” — Jane Austen Centre, Bath
“Manning …. emulates Austen’s writing style so well that she often seamlessly incorporates exact passages from the original into her narrative…. Many try to emulate Austen; not all succeed. Here, Manning triumphs.” —BlueInk Review Starred Review
“Highly recommend it. Extremely well written, extremely clever, the way she incorporated details from the original Mansfield Park.” — First Impressions podcast
“Brava to Lona Manning for her thoughtful twists and skillful execution in this variation. This story was in no way predictable and it kept me guessing almost until the end!…. – Meredith Esparza, Austenesque Reviews
“A Contrary Wind is well-written, keeping close to the style of Austen. I thoroughly enjoyed it and highly recommend it. I never lost interest and enjoyed the occasional comic relief.” — Historical Novel Society
This is the fourth full length novel featuring Morton Farrier, forensic genealogist. The books in this series all explore an historical mystery while Morton also researches his own genealogical background.
This is an intriguing story, extremely well told.
A captivating blend of WWII intrigue, family secrets and investigative mystery fiction, this is yet another riveting instalment in a most excellent series.
This book held definite appeal to me as I have long admired the work of Harriet Tubman and all those who worked to liberate slaves and help them to freedom. ‘The Day I Saw The Hummingbird’ immerses the reader in the life and experiences of Oscar Mercer, born into slavery in a sugar plantation in Louisiana in the years preceding the American Civil War.
Oscar’s story is heartbreaking, terrifying and inspiring as the author positions the reader as an eyewitness to the tragedies, but also the courage and kindness, experienced by Oscar as he grows to understand that compassion is as powerful as hatred, and that wisdom and loyalty are qualities that should be as highly prized as one’s own freedom.
This story is beautifully told, with evocative language and vivid imagery that causes the reader to develop deep empathy not only for Oscar but also for all others in similar positions. The story also highlights a truth that is often overlooked: even in the deep south, there were many white people opposed to slavery or, at the very least, opposed to the cruelty with which so many were treated. Indeed, a broad range of human responses to slavery are depicted in the actions of different characters in this book, showing that it is one’s individual choices and personal ethics that set one person apart from another in terms of character and integrity, and that it is both possible and imperative to stand up for what is right rather than settle for convenient wrongs.
This is an important story that everyone should read in their lifetime, and which should be in personal bookshelves and library collections alongside ‘To Kill a Mockingbird’ and ‘Uncle Tom’s Cabin’.
In this book, two distinct narratives unfold: what Annabelle does, and what drives her to do it.
The storytelling is intuitive, drawing on the reader’s instincts and assumed knowledge to build empathy and understanding with Annabelle and to evoke anger, grief and sorrow not just for her suffering and pain, but rather for that of all who have suffered in similar ways.
The story is very well written, boldly narrated by the character from whom it takes its title. Annabelle is a young woman who displays tenacity, conviction, and a desire for justice that proves, as it so often does, to be a far more powerful motivator than self-preservation.
While this book delivers an important and timely story that needs to be told and understood, it does contain some scenes of violence and of sexual assault, so it is not suitable for young readers, nor for readers whose own trauma may be triggered by that content.
Like Annabelle herself, this is a story that points the finger directly at not only the perpetrators, bit also those who enable and protect them with their silence, and demands justice for their transgressions.
Set in the early years of the 20th century amidst the campaign of the Suffragette movement and aa growing awareness of the inequality of women in a “man’s world”, the story of Elizabeth Pennington’s struggle to be acknowledged as an equal by her father is one that captures the challenges and frustrations of the generations of women who worked together to change the way the western world operated. More than a hundred years after the events that frame the story, in a world that has changed so much and yet seems to have progressed so little at the same time, readers can still be inspired and challenged by the commitment and aspirations of Elizabeth and other characters in this book.
Magnificent and luxurious, the eliteness of Pennington’s department store in Bath and the exclusivity of its clientele provide Elizabeth both enormous opportunity and significant frustration as she fights to bring the business into a new century and to make it increasingly relevant to a rapidly changing society.
Through Elizabeth’s experiences as businesswoman, daughter, lover and friend, the reader is confronted with a number of issues that women faced, often finding them insurmountable, and thus gains a clearer understanding of why so many women fought so hard to achieve greater equality— not just the right to vote, but also to be treated with respect, to be able to make their own decisions, and to overcome all sorts of deeply-ingrained discrimination that plagued them.
Even though Elizabeth is of a much higher social class than most of the readers, she is relatable and believable in her frustrations and responses to the society in which she lives. The cast of characters are realistic and believable, presenting a fair representation and cross-section of the working and upper classes that existed in society at the time.
While there is some adult content, making it suitable for an adult audience only, this is a most enjoyable work of historical fiction that it well worth reading.
Having read and thoroughly enjoyed ’The Cut of the Clothes’ by Erato, it is a pleasure to be able to introduce the author’s new release.
‘Slick Filth: A Story of Robert Walpole and Henry Giffard, to Which is Appended the Farce of The Golden Rump’ by Erato is a story of satire, assassination attempts, politics and censorship in 18th century England.
“Sir Robert had composed the most seditious, disgusting, obscene, shameful thing I had ever seen.”
It’s 1737 and England is on edge: someone has tried to assassinate the king at the theatre, and every stageplay is a satire of the royal family. Enter Prime Minister Robert Walpole with a cunning scheme that will grant him power to censor anything that goes on stage — by writing the filthiest play ever conceived. All he needs to pull it off is a patsy, which he finds in Henry Giffard, the proprietor of the theatre at Goodman’s Fields. But will Giffard cooperate with the Prime Minister’s plan, or will obscenity and satire be allowed to overrun the British stage?
Based on true events, Slick Filth includes a recreation of the notorious play The Golden Rump, which so offended Parliament that new censorship laws were enacted for the first time in England’s history. The book is typeset in historical fonts, making you feel like you’ve been pulled back in time to watch the drama unfold first-hand.
Available in hardcover only, this book is more than just a book but an art project of itself, set in 18th century type with added “errors” for the sake of both authenticity and humour.