Historically, very little is known of the early life of Gruoch, later known as Lady Macbeth. Immortalised by Shakespeare as a conniving, power -hungry shrew, audiences have been fascinated by her for centuries.
Karsak weaves a kinder tale of the young Gruoch in this excellent work of historical fantasy. History, magic and fantasy combine to tell a story of a young woman searching to discover her destiny and calling in life, while still learning who she is and the power she holds over men.
This story is so powerfully and beautifully written that it is easy to forget that this is fiction, and to believe that this really is Gruoch’s story. We see Gruoch’s strengths and vulnerability, her loyalty and hatred, her past and glimpses of her future. As readers, we love those she loves and despise those she hates, and we become deeply invested in her hopes and dreams.
The author has also incorporated some lovely nods to Shakespeare’s play, littering quotes and references to the text throughout the narrative. This very cleverly lends credibility and legitimacy to Karsak’s story, reinforcing that sense of reality and closeness to Gruoch that the reader feels from almost the first page onwards.
The story delivers a fascinating blend of mystery, fantasy, romance, and adventure in an expertly crafted package that is almost impossible to put down once started.
The third in Kerri Maniscalco’s Victorian macabre mystery series, ‘Escaping from Houdini’ is set on the Etruria, a cruise ship travelling from London to New York in 1899 with Audrey Rose Wadsworth, her beau Thomas Cresswell, and Uncle Jonathan Wadsworth aboard.
A series of gruesome murders present this Victorian forensic science team with a series of challenges and mysteries that must be solved before arriving at their destination.
The story is intricate and complex, dark and dangerous, and completely captivating. Themes of distraction, illusion and deception interweave like a macabre carnival dance. The personal consequences and implications for Audrey Rose, Thomas, and other passengers on the ship are compelling, keeping the audience engaged both mentally and emotionally in the drama as it unfolds.
Nicola Barber’s narration is expressive, fluent and most enjoyable. Barber has a definite gift for characterisation and drama that makes her storytelling lively and most enjoyable.
An excellent audiobook experience, ‘Escapting From Houdini’ has been awarded a Gold Acorn.
Elfrida, or Ælfryth, was anointed and crowned queen of England in the same ceremony that her husband, Edgar, was crowned King in 973 AD.
‘The First Queen Of England’ is the first instalment of Elfrida’s story. This is a really well-written book, based on sound research and good knowledge of the historical context of the story.
Historically, there is quite limited information available on the early life of Elfrida, but Porter has penned a well-crafted and believable personal story which, while it is fictional, is consistent what is known of both Elfrida and Edgar and their families.
This task brings with it many challenges, not the least of which is diffusing a cast of characters from the different perspectives and accounts of history which have been the subject of discussion and debate for centuries. In presenting lead characters who are engaging and interesting, but also flawed and fallible, the author has given the reader people with whom they can relate at a very human level, despite their differences in social status and experience, and the changes in society that have occurred during the vast amount of time that stands between them.
The supporting characters are likewise portrayed with not only their attractive qualities and strengths on public display, but also their motivations and interests exposed to the reader’s scrutiny. This gives the reader a rich insight into the machinations and social engineering of life at court and among the nobility in 10th century England. The characterisation is detailed, insightful and razor sharp, revealing the author’s considerable talent at filling in the blanks on the pages of history and creating characters that are complex and often quite delightful in the way they play their roles. Porter paints the settings and events in vivid colours and textures that seem almost tangible, bringing Elfrida’s home in Wessex and the King’s court at Winchester to life in such a way that each place is depicted clearly and then becomes familiar to the reader as the story progresses.
A richly and intricately detailed work of historical fiction, ‘The First Queen Of England’ is an immensely enjoyable read. It has been awarded a Gold Acorn.
There is no doubt that many of the things done throughout history in the name of God and religion served only to dishonour and shame both. This truth is highlighted throughout this book, as it is in any study of the period in which the story is set.
’The Chronicles of Aveline’ is a medieval drama set during the 12th century in the decade leading up to the Third Crusade.
From the thrill of adventure and the rush of first love to crushing loss and thrilling adventure, Aveline discovers the depth and extent of her own strength and resilience. Hers is a story of courage and commitment, and of the powerful motivation that comes from an intensely personal pursuit of justice.
The story is well crafted, making use of suspense and anticipation to heighten the reader’s engagement in the story as the tale progresses, and maintaining an emotional involvement in Aveline’s inner life as well as her physical fate. The writing is vivid and sensory, bringing the characters and settings to life in a most enjoyable manner.
The story comes to a natural conclusion, but leaves questions unanswered and destinies unfulfilled, suggesting that there is much more of Aveline’s yet story to come. I certainly hope that turns out to be the case.
’The Chronicles of Aveline’ has been awarded a Gold Acorn.
This sequel to The King’s Hounds continues the story of the friendship between Winston and Halfdan as they find themselves investigating a murder at a monastery en route to carrying out another assignment on behalf of King Cnut.
Historical enmity and mistrust, not only between Saxons and Danes but also between two prominent monasteries, cloud the situation, requiring the two medieval amateur detectives to tread carefully while ferreting out the relevant facts and details from the actions and words of the cast of characters that surrounds them.
This is a great story, full of interest and intrigue. The characters are varied and colourful, and the settings are lifelike and fascinating.
The story is embellished with interesting historical details and insights that enable the reader to develop their own questions and theories about the suspects, just as they would with a mystery set in the present, keeping them engaged in the plot and paying careful attention to the clues discovered and discussed by Winston and Halfdan.
A most enjoyable medieval mystery read, ‘Oathbreaker’ has been awarded a Gold Acorn.
‘Blood and Ink’ is brilliant historical fiction that takes the questions surrounding Shakespeare’s life and the authorship of the works that bear his name, and weaves them into a most enjoyable and credible narrative.
The story is rich in vibrant detail, from the sounds of horses’ hooves on cobblestones to the swish of cloaks and the innermost thoughts of both Shakespeare and Marlowe as it follows their lives from childhood to their final days.
The web of intrigue and espionage surrounding the court of Queen Elizabeth I is brought to life in the characters who surround her and the machinations of the Star Chamber, drawing the reader into the high drama and adding another layer of complexity to the tale told in these pages.
The writing is bold and vivid, seamlessly incorporating quotations from the works of both Shakespeare and Marlowe. While it is definitely fiction, the author has made the story feel so real that it could, in fact, be history.
An excellent work of historical fiction, ‘Blood and Ink’ has been awarded a Gold Acorn.
Sequel to ‘The Queen’s Poisoner’ in the KingFountain series, this book continues the story of Owen Kiskaddon and his life as a one of King Severn’s most trusted advisors.
Many of the same central characters feature alongside some entirely new ones, who add new dimensions and qualities to the story.
Time has passed, naturally, and Owen has grown from the child hostage and stranger in the royal court into a man, rewarded with a Duchy for his loyalty, and charged with the duty of serving the king and protecting those closest to him.
It is a magnificent and epic fantasy story, enriched with magic, deeply involving the reader in both the personal lives of the central characters the fate of the kingdom of Ceredigion, a kingdom that is richly and intricately detailed to the point where it seems real. The reader gains a deeper understanding of the complexities of the problems that face the king, fully aware as he is of the reasons why many distrust and fear him, yet also strongly motivated by his sincere love and concern for his kingdom and subjects.
Although the connections between this story and the elements of English history during The Wars of the Roses, particularly the life and personality of Richard III, are clearly discernible, the story maintains an original and unique plot that sets it apart from those events and ensures its distinction as a fine work of fantasy rather than historical fiction.
This book delivers a rich and deeply involving story that captivates the reader. It is difficult to put the book down once started, and as the momentum of the story builds, the story becomes even more compelling. It really is a most excellent read.
The Thief’s Daughter has been awarded a Gold Acorn.