Chilling, suspenseful and macabre, this is everything I look for in a horror story. Building tension bursts into moments of fear, like waves on the ocean carrying the reader on peaks and troughs of anticipation and dread. The reader frequently finds themselves releasing their breath in relief, unaware that they’ve been holding it, only for it to happen again the next time the action of the story escalates.
The main characters are likeable and relatable, which positions the reader to feel empathy for them when they find themselves in a situation they cannot control, and which promises most unfavourable outcomes. Because they are such normal people, it reminds the reader that this is the kind of thing that could potentially happen to anyone, regardless of their good intentions or innocence in making mistakes.
The writing is excellent, the imagery is precise and well-crafted, and the storyline is unpredictable. All in all, this is a shudderingly good read.
This is a good short story for October and Halloween reading. What starts as a sinister and tense story develops into a tale of fear and flight before growing darker and more horrific.
The tension and sense of dread grow steadily, making both the main character and the reader increasingly uncomfortable before the true horror of the forest is revealed. The author combines elements of foreboding, macabre, revulsion and fear to influence the reader’s feelings and reactions.
Even though the title gives away the fact that there’s something lurking in the woods, this story is quite original and well written.
There is some adult content, so it’s not recommended for kids.
This is a short, macabre story that unsettles rather than horrifies the reader. It raises questions about the values of society as a whole and of different groups of people within it.
The story is quite well written and developed, building tension as the narrative progresses. It is an enjoyable enough read, although one which most readers will not really find scary.
Overall, it’s a decent story, with some good macabre moments.
Fear is often irrational… but sometimes, it’s not. This is a good, suspenseful short story about one of those times when someone would have been right to pay heed to their fears.
The story works really well because the characters and setting are so normal and relatable, which reminds the reader that this scenario could just as easily happen to them.
The writing is good and the development of suspense and foreboding in the story is gradual and well-managed.
‘Dobson Drive is a good story that can be read in about half an hour. It is ideally suited for readers of horror, paranormal and suspense.
What would you do if you held power that nobody else knew about? Most people would like to think they would use it for good, but this story explored just how easy it would be to manipulate things to suit our own interests.
The main character is likeable enough at the outset, and seems to have good intentions. The other characters in the story are a realistic cross-section of society: his family, classmates and teachers.
The narrative is interesting and quite relatable, albeit less easy to identify with as it gets darker. The twist before the ending is both confronting and horrific, but the conclusion escalates that even further.
This is a well-crafted story that lures the reader in and then ambushes them with darkness.
Given that it is easily read in less than half an hour, it makes perfect reading for busy people looking for excellent dark fiction short reads.
This is a dark, horrifying tale that grasps the reader in its talons and holds them captive, right to the end.
The different parts of the narrative seem disjointed, and to not make sense at first, but that is the intended effect: this is a nightmare, a living hell, flashes of lucidity and terror that draw the reader into the different kinds of horror that the central characters each find themselves in.
The story lurches and rolls, disorienting and impossible to predict, reflecting the turmoil of the main characters’ deepest thoughts and feelings. As the story plays out, the strands of the narrative pull together to create structure and resolution from the mayhem.
The one thing that really annoyed me was the failure of the author to differentiate between ‘slither’ and ‘sliver’, using the one word for both meanings as though the second does not exist on more than one occasion. This may seem like nit-picking, but it demonstrates yet again that there is no substitute for a good editor if an author wishes to avoid frustrating their readers.
This is not a book for the faint of heart, but it is certainly a gripping read.
A dark and horrifying tale of lives scarred by grief, pain, and abuse, this is not a story for the faint of heart.
Scenes of horror merge with images that arouse both deep pity and righteous anger in the individual narratives of Crystal and Dee. Having positioned the reader to feel deep empathy and sadness for the two very different central characters, the author then before weaves the different strands of the story together into an even darker, bleaker tapestry.
The writing is strong and the story is well crafted. As the tale progresses, the author evokes a sense of dread that grows proportionally to the building suspense, yet the reader is still completely blindsided by the twists when they come.
This is a compelling and unsettling work of dark short fiction.