The third book in Martin Jensen’s ‘King’s Hounds’ medieval historical mystery series, ‘A Man’s Word’ is an intriguing murder mystery set in the village of Thetford. The mystery is complex and challenging, presenting a variety of possible suspects and motives which are further obscured by the transient population visiting the town for the court sessions and the markets.
Like ‘The King’s Hounds’ and ‘Oathbreaker’, the narrative is enriched with local colour and characters who add further dimensions to the story, and with historical detail that brings the context and setting of the story to life. Being immersed in the story causes the reader to consider the facts and develop theories about investigation, which increases their engagement and investment in the plot while Winston, Alfalfa and Halfdan conduct their inquiries and develop and test their theories.
This is a most enjoyable and satisfying mystery read.
‘The Sage’ is an excellent conclusion to the trilogy that tells the story of Lilith and her pursuit of the truth about her identity and her destiny in the magical community.
Like the first two books in the series, the story is fraught with tension, twists and suspense that keep the reader deeply engaged in the story while Lilith, Willow and the Elemental Coven fight for both survival and justice.
This is an excellent story, and is really well written. I found the whole trilogy to be highly original and very compelling.
This is a really good mystery set in India in the 1970s. The cultural insights add a fascinating layer of interest to the story and further complicate the mystery at the core of the novel.
The characters are diverse and colourful, each of them with something to hide and many of them with a motive for the crime.
The story is well crafted and keeps the reader guessing throughout. It’s easy to read, and the glossary at the back proves very helpful in understanding the Indian words used for cultural items such as clothing and food. The settings are easy to visualise, and the colours, textures and flavours of India are evoked by the author’s provision of wonderful sensory detail.
Overall, this is an excellent piece of murder mystery fiction.
‘Murder and Mistletoe’ is a very good cozy mystery set in 1936, first on the Paris-Bordeaux train and then in Bordeaux itself. The very confident and classy Franny Calico is a seasoned amateur sleuth who finds herself investigating a mystery that threatens not only her own safety, but that of others near and dear to her.
The story is well crafted and develops at a good pace, keeping both Franny and the reader intrigued. The characters are engaging and interesting, and there are sufficient touches of late 1930s styling and glamour to make the settings and plot believable.
Easily read in less than 90 minutes, this novella delivers most enjoyable reading, ideal for readers busy with preparations for Christmas and end of year celebrations.
Set in Dublin and framed in the context of a murder case that is about to go to trial, this intriguing story immerses the audience in the lives of two very different sisters and their individual perspectives of the investigation, both of which are complicated by inner conflicts and their family’s own dark backstory.
The murder case at the centre of the story presents a unique set of challenges, and requires the ingenuity and commitment of both sisters to find the answers and see justice delivered.
The story is very well written and the narration by Aoife McMahon is expressive and engaging.
This is an intriguing steampunk mystery novel which immerses the readers in the world of Chuzzlewit and embeds them in the lives of its residents.
It begins as a story of adventure and danger, and develops into a personal quest for the characters to solve the mystery behind the monster that holds their very existence in its hands. It explores the ways in which different people respond to adversity and conflict, and questions how those in a position of power use and abuse it.
The story is very well written and very entertaining. The world building is more complex and thought-provoking than it first appears to be, and the nature of the Monster known as the Kreak is fascinating.
The town of Chuzzlewit is populated with a varied cast of engaging and interesting characters, and the central characters are relatable in their motivations, responses and interactions with one another. Victoria, as the lead character, is an independent thinker, a problem solver, and stands up for what is right over what is easy. Her dilemmas are complex and the difficult choices she has to make remind the reader that it is the right of each individual to choose their path and shape their own reality from the choices offered to them in life, but also that those choices cannot be made in isolation from one’s responsibility to others or the society in which they live.
A stunning, tense and dark adventure that carries the reader from the streets of Ketterdam to the splendour of the Ice Court on the most dangerous mission Kaz Brekker and the Dregs had ever taken on.
The writing is powerful and compelling, conveying the desperation and adrenaline of the story, and the imagery is rich in sensory detail.
Telling the story from the different characters’ perspectives create an intriguing dramatic irony that both informs the reader and helps to build the suspense and anticipation that completely hooks the audience.
The narrators – one for each central character – are expressive and very listenable, making the story flow and creating a very effective interweaving of the strands of the story. The characters really come to life with the audio, especially in the recounting of their backstories, the exposition of their thoughts and fears, and the revelation of their perceptions and responses to the other characters and the experiences they share.
The story remains suspenseful and maintains the innate tension of the story right to the end.