‘The Gold Dragon Caper’ is a the fourth of the Damien Dickens mystery novel/audiobook series.
The story is complex and full of intriguing twists, and progresses at a pace that keeps the reader hooked without feeling rushed. A number of the characters from previous books in the series return in this story, giving a pleasing sense of continuity and connection for those who have read or listened to them, but there are also enough new characters to keep things fresh and interesting.
The book does stand alone for readers who have not read the previous installments, but will deliver spoilers for anyone who might want to read the earlier books.
The narration by Tom Lennon is very easy to listen to, and very much suits the detective noir style and tone of the story.
In ‘The Bone Witch’, there are two narratives which seem at first to be separate, but eventually reveal themselves to be interwoven to create a vast, rich tapestry of storytelling that binds the listener in its magic.
This magical dark fantasy is a spellbinding story in which fate and magic balance one another as Tea discovers her destiny and learns to use her powers and make important choices wisely.
The narrators tell the story fluently and engagingly, with clear diction and good expression. Both are pleasant to listen to, and the two complement each other as effectively as their stories do.
’The Bone Witch’ is a brilliant fantasy coming of age story, whether enjoyed as a novel or an audiobook.
Set in Dublin and framed in the context of a murder case that is about to go to trial, this intriguing story immerses the audience in the lives of two very different sisters and their individual perspectives of the investigation, both of which are complicated by inner conflicts and their family’s own dark backstory.
The murder case at the centre of the story presents a unique set of challenges, and requires the ingenuity and commitment of both sisters to find the answers and see justice delivered.
The story is very well written and the narration by Aoife McMahon is expressive and engaging.
A stunning, tense and dark adventure that carries the reader from the streets of Ketterdam to the splendour of the Ice Court on the most dangerous mission Kaz Brekker and the Dregs had ever taken on.
The writing is powerful and compelling, conveying the desperation and adrenaline of the story, and the imagery is rich in sensory detail.
Telling the story from the different characters’ perspectives create an intriguing dramatic irony that both informs the reader and helps to build the suspense and anticipation that completely hooks the audience.
The narrators – one for each central character – are expressive and very listenable, making the story flow and creating a very effective interweaving of the strands of the story. The characters really come to life with the audio, especially in the recounting of their backstories, the exposition of their thoughts and fears, and the revelation of their perceptions and responses to the other characters and the experiences they share.
The story remains suspenseful and maintains the innate tension of the story right to the end.
This novella-length story serves as a prequel to Goodwin’s The Forensic Genealogist historical mystery series featuring Morton Farrier, using an intriguing research case to frame the beginning of Morton’s relationship with Juliet.
Morton’s investigation takes him back to 1924 and the death of a young woman in an asylum. The results of his research are completely unexpected, in more ways than one.
The story is well-constructed and highly engaging, with some really nicely crafted creepy moments and great twists to keep the reader guessing.
The narration is clear, well-paced and most enjoyable to listen to. The audiobook runs for a little over 2 hours, a great length to for well into a quiet afternoon, a drive or a longer commute.
A work of historical fiction, although based on the life story of one of the author’s forebears, this is an interesting story that is probably quite realistic about the prospects of a younger daughter of a prominent family during the early years of the reign of James I.
I confess I almost stopped listening as early as the prologue, in which a man speaking as though he were present when the young Princess Elizabeth was taken into the Tower of London was still alive as its Keeper in 1617. I returned to the beginning and listened again, decided the way in which that section was phrased was ambiguous, and continued with the story.
The main character, Lucy, seems at times to be almost too virtuous to be quite believable, although she does have her moments where her flaws and human nature are revealed, in which she seems more relatable. For some readers, her tale will evoke deep sympathy, while others may feel she spends too much time engaging in self-pity and decrying her lot in life as the victim of the selfishness and vanity of various other people.
The most believable characters are the hateful ones: Lucy’s sister Barbara, Aunt Joan, and Frances Howard. These characters exemplify the worst of human nature, along with a certain young man who is fickle at best and heartless at worst. It is in disliking these characters that the reader feels the most empathy with Lucy.
The narration is most enjoyable, with lively expression and very good use of tone, voice and accent to bring the characters to life.
Overall, it is a fairly good story, expertly narrated.
The past holds all sorts of mysteries for those who enjoy researching their family tree. But what if no such avenue of research is available? What if someone were to find that their past simply didn’t exist?
Despite the fact that Peter Coldrick has no family and no family tree, his past does catch up with him in a way that sets Morton Farrier on a course of investigation that led to places that neither he nor the reader could possibly expect.
This is a really interesting mystery story with a refreshing perspective that presents new opportunities and avenues for investigation than amateur sleuths or police detectives usually employ. The story also draws on some intriguing elements of World War II history as the background for an investigation that takes place seventy years later and in a completely different context.
The narration by Jonathan Ip is very good indeed. He has a very pleasant voice to listen to, and portrays the different characters very effectively. His reading brings the story to life, and immerses the audience in the story as an eyewitness to the drama and action as it takes place.
All in all, a great story and an excellent narration.
The sequel to ‘Stalking Jack the Ripper’, this is equally gripping and dramatic historical fiction set in Romania, with the majority of the story taking place at the school of forensic medicine that is housed in the castle that once belonged to Vlad the Impaler.
The book blends history, folklore, horror and forensic mystery genres in a uniquely twisting tale in which Audrey Rose Wadsworth and Thomas Cresswell once again seek to solve a series of mysterious deaths.
The action is well paced, heightened by plenty of suspense and intrigue. There are plenty of mysterious characters and viable suspects, and the story is so well constructed that the truth almost imperceptible until it is revealed.
The narration by Nicola Barber is excellent, and gives a great deal of listening pleasure.
‘Hunting Prince Dracula’ has been awarded a Gold Acorn.
Anyone who has read a book or two by CH Clepitt will understand that it is perfectly reasonable to expect that everything she writes is a ripping good yarn. ‘The Book Of Abisan’, in which contemporary fiction blends seamlessly with magical fantasy, is the kind of book that only reinforces that sort of assumption. It’s brilliant.
The storytelling is well paced and infused with moments of humour that balance the action and intrigue of the plot. The storyline is original and interesting, and the suspense and tension are palpable as the mysteries and quests of the story emerge and interweave.
The various settings contrast well with one another and serve to highlight the sense of strangeness the characters experience when they find themselves in a juxtaposed world. This also keeps the reader fully engaged in the story because there is nothing predictable about where the story might take them next… which is, of course, half the fun.
The characters are varied and complex, each with personal motivations that drive their actions and decision making. There are some really wonderful characters who keep the reader invested in their personal stories as well as the tale overall, and others who are designed to be hateful and play that part very well.
The Audible narration is very good, with excellent vocal control and variations in tone and voice that help to develop both plot and characterisation. The narrator’s voice is pleasant and her diction clear, although she does say “somethink” instead of “something”, which is the one minor thing that bothered me during this audiobook experience. Apart from that, Alicia Rose is pleasant and enjoyable to listen to.
This highly engaging and absorbing story has been awarded a Gold Acorn.
‘The King’s Hounds’ is a murder mystery set in Oxford during the reign of King Cnut. An unlikely duo, Winston and Halfdan form a friendship that is still in its early stages when they find themselves assigned the job of investigating the murder and reporting their findings to the king, a task complicated by an abundance of suspects and plenty of obstructions along the way.
The reader is immersed in the sights and sounds of medieval England, culturally divided between those of Anglo-Saxon and Danish/Viking origins just as Cnut has come to the throne, which places the events of the story in the year of 1016. The resulting climate of distrust and resentment adds further difficulty and intrigue to the case: the king himself is not above suspicion in the death of a prominent Anglo-Saxon thane.
The characters are very well developed, and are characterised effectively by the narrator. The contrast between the conservative Winston and the rogueish Halfdan creates some entertaining moments, but also enables each of them to play to his strengths when challenged by the various situations and problems they encounter.
The story is interesting and entertaining, and quite well told. The dialogue is a little stilted at times and not quite consistent with the way people spoke during that period of history, but this may be accounted for by the fact that the book was translated from Danish into English.
The narration by Napoleon Ryan is noticeably slow, but before I was far into the book, I began to feel that this was something of an advantage, because it gave me time to take in all the detail of the story.
An enjoyable and interesting book, ‘The King’s Hounds’ has been awarded a Silver Acorn.