Chilling, suspenseful and macabre, this is everything I look for in a horror story. Building tension bursts into moments of fear, like waves on the ocean carrying the reader on peaks and troughs of anticipation and dread. The reader frequently finds themselves releasing their breath in relief, unaware that they’ve been holding it, only for it to happen again the next time the action of the story escalates.
The main characters are likeable and relatable, which positions the reader to feel empathy for them when they find themselves in a situation they cannot control, and which promises most unfavourable outcomes. Because they are such normal people, it reminds the reader that this is the kind of thing that could potentially happen to anyone, regardless of their good intentions or innocence in making mistakes.
The writing is excellent, the imagery is precise and well-crafted, and the storyline is unpredictable. All in all, this is a shudderingly good read.
This is a good short story for October and Halloween reading. What starts as a sinister and tense story develops into a tale of fear and flight before growing darker and more horrific.
The tension and sense of dread grow steadily, making both the main character and the reader increasingly uncomfortable before the true horror of the forest is revealed. The author combines elements of foreboding, macabre, revulsion and fear to influence the reader’s feelings and reactions.
Even though the title gives away the fact that there’s something lurking in the woods, this story is quite original and well written.
There is some adult content, so it’s not recommended for kids.
This is a short, macabre story that unsettles rather than horrifies the reader. It raises questions about the values of society as a whole and of different groups of people within it.
The story is quite well written and developed, building tension as the narrative progresses. It is an enjoyable enough read, although one which most readers will not really find scary.
Overall, it’s a decent story, with some good macabre moments.
This is an interesting Arthurian dark fantasy tale that explores the relationship between Arthur and Morgan. Told from Morgan’s point of view, the reader is treated to a very different perception of Arthur than that told by the more popular legends.
The opening paragraph is stunning, and most of the writing is quite good, so the prescence of some fairly basic errors was disappointing. A careful proofreading and edit would make a significant difference to the finished quality of the story.
Overall, the story is quite enjoyable.
This is a collection of poems and short stories In the style of folk tales and fables, with darker themes and motifs that make them ideally suited for October reading.
The stories are quite well-written, although not particularly complex or deep. Each set of related stories is introduced by a poem that introduces the key idea that connects the poem and subsequent stories to each other.
This book was an entertaining enough read to be a pleasant diversion at the end of a busy day, but would probably not satisfy one’s desire for a deeper, more compelling story or a truly horrifying read.
As unpleasant as the experiences may be, it is often when experiencing persecution or encountering conflict that people make surprising discoveries about themselves.
That is absolutely the case for Rae Schwarz when she discovers that there is much more to her life than homework, preparing for Halloween and avoiding the school bully. What ensues is a story of resilience, friendship, loyalty, discovering new talents and looking beyond the surface to recognise what is hidden underneath.
This story is refreshing and original, written with a very comfortable style and personal tone that makes it very relatable and highly engaging. The characters are interesting and varied, each complementing the others in ways that are not immediately obvious to the reader at the outset, and demonstrating the it is entirely possible to be ordinary and extraordinary at the same time.
A book laden with positive messages and values, ‘You’re Not A Goth Until You Sack Rome’ demonstrates a profound acceptance of differences and individuality and encourages the reader to recognise their own unique combinations of personality, ability and talent, and to learn to see others in the same way.
This is a most enjoyable and entertaining story, written for a YA audience but suitable and appealing for all ages.
This is a dark, horrifying tale that grasps the reader in its talons and holds them captive, right to the end.
The different parts of the narrative seem disjointed, and to not make sense at first, but that is the intended effect: this is a nightmare, a living hell, flashes of lucidity and terror that draw the reader into the different kinds of horror that the central characters each find themselves in.
The story lurches and rolls, disorienting and impossible to predict, reflecting the turmoil of the main characters’ deepest thoughts and feelings. As the story plays out, the strands of the narrative pull together to create structure and resolution from the mayhem.
The one thing that really annoyed me was the failure of the author to differentiate between ‘slither’ and ‘sliver’, using the one word for both meanings as though the second does not exist on more than one occasion. This may seem like nit-picking, but it demonstrates yet again that there is no substitute for a good editor if an author wishes to avoid frustrating their readers.
This is not a book for the faint of heart, but it is certainly a gripping read.