Dark, witty and ironic, ‘Good Omens’ is a brilliant read. This should come as no surprise, given that its authors are both creative geniuses.
This audiobook recording is brilliant. The casting is fabulous and the performances are outstanding, making this an excellent listening experience which is entertaining and thought-provoking at the same time.
’Good Omens’ ticks all the boxes for the perfect dark comic fantasy.
Set in Dublin and framed in the context of a murder case that is about to go to trial, this intriguing story immerses the audience in the lives of two very different sisters and their individual perspectives of the investigation, both of which are complicated by inner conflicts and their family’s own dark backstory.
The murder case at the centre of the story presents a unique set of challenges, and requires the ingenuity and commitment of both sisters to find the answers and see justice delivered.
The story is very well written and the narration by Aoife McMahon is expressive and engaging.
This novella-length story serves as a prequel to Goodwin’s The Forensic Genealogist historical mystery series featuring Morton Farrier, using an intriguing research case to frame the beginning of Morton’s relationship with Juliet.
Morton’s investigation takes him back to 1924 and the death of a young woman in an asylum. The results of his research are completely unexpected, in more ways than one.
The story is well-constructed and highly engaging, with some really nicely crafted creepy moments and great twists to keep the reader guessing.
The narration is clear, well-paced and most enjoyable to listen to. The audiobook runs for a little over 2 hours, a great length to for well into a quiet afternoon, a drive or a longer commute.
Elfrida, or Ælfryth, was the first anointed and crowned queen of England, ruling alongside her husband, Edgar, in the 10th century.
‘The First Queen Of England’ Part 2 is the second instalment of Elfrida’s story, and shows just how strong and resilient she was in a world dominated by patriarchy, politics and warfare.
Just like the first book in the series, this book is very well written and is entirely consistent with the historical context of the story, even though it is undoubtedly fiction.
It is a significant achievement on the author’s part to reanimate characters from the long-distant past in such a way that the reader feels as though they know them and can understand their concerns, cares and motivations. It is pleasing to witness the dynamics of the characters as they mature, and intriguing to observe the intricacies of the machinations and politics at court and the personal impact on the queen and king as individuals as well as rulers.
The narration by Sheila Daly Payson is most enjoyable. Her voice is pleasant and her reading is fluent. Her characterisation of the different roles is effective, and really brings the various characters to life.
As richly detailed and intriguing as part 1, ‘The First Queen Of England, Part 2’ is a most enjoyable story. This is in every aspect a very pleasurable audiobook experience, and is also available as an ebook or paperback.
The past holds all sorts of mysteries for those who enjoy researching their family tree. But what if no such avenue of research is available? What if someone were to find that their past simply didn’t exist?
Despite the fact that Peter Coldrick has no family and no family tree, his past does catch up with him in a way that sets Morton Farrier on a course of investigation that led to places that neither he nor the reader could possibly expect.
This is a really interesting mystery story with a refreshing perspective that presents new opportunities and avenues for investigation than amateur sleuths or police detectives usually employ. The story also draws on some intriguing elements of World War II history as the background for an investigation that takes place seventy years later and in a completely different context.
The narration by Jonathan Ip is very good indeed. He has a very pleasant voice to listen to, and portrays the different characters very effectively. His reading brings the story to life, and immerses the audience in the story as an eyewitness to the drama and action as it takes place.
All in all, a great story and an excellent narration.
The third in Kerri Maniscalco’s Victorian macabre mystery series, ‘Escaping from Houdini’ is set on the Etruria, a cruise ship travelling from London to New York in 1899 with Audrey Rose Wadsworth, her beau Thomas Cresswell, and Uncle Jonathan Wadsworth aboard.
A series of gruesome murders present this Victorian forensic science team with a series of challenges and mysteries that must be solved before arriving at their destination.
The story is intricate and complex, dark and dangerous, and completely captivating. Themes of distraction, illusion and deception interweave like a macabre carnival dance. The personal consequences and implications for Audrey Rose, Thomas, and other passengers on the ship are compelling, keeping the audience engaged both mentally and emotionally in the drama as it unfolds.
Nicola Barber’s narration is expressive, fluent and most enjoyable. Barber has a definite gift for characterisation and drama that makes her storytelling lively and most enjoyable.
An excellent audiobook experience, ‘Escapting From Houdini’ has been awarded a Gold Acorn.
Anyone who has read a book or two by CH Clepitt will understand that it is perfectly reasonable to expect that everything she writes is a ripping good yarn. ‘The Book Of Abisan’, in which contemporary fiction blends seamlessly with magical fantasy, is the kind of book that only reinforces that sort of assumption. It’s brilliant.
The storytelling is well paced and infused with moments of humour that balance the action and intrigue of the plot. The storyline is original and interesting, and the suspense and tension are palpable as the mysteries and quests of the story emerge and interweave.
The various settings contrast well with one another and serve to highlight the sense of strangeness the characters experience when they find themselves in a juxtaposed world. This also keeps the reader fully engaged in the story because there is nothing predictable about where the story might take them next… which is, of course, half the fun.
The characters are varied and complex, each with personal motivations that drive their actions and decision making. There are some really wonderful characters who keep the reader invested in their personal stories as well as the tale overall, and others who are designed to be hateful and play that part very well.
The Audible narration is very good, with excellent vocal control and variations in tone and voice that help to develop both plot and characterisation. The narrator’s voice is pleasant and her diction clear, although she does say “somethink” instead of “something”, which is the one minor thing that bothered me during this audiobook experience. Apart from that, Alicia Rose is pleasant and enjoyable to listen to.
This highly engaging and absorbing story has been awarded a Gold Acorn.