‘Wild Rose’ continues the story of Pastor Ian MacCraig and the community of St Conan’s in Lochawe, Scotland, that began with Thistle Down.
This is a lighthearted, often humorous and sometimes very poignant story of an unlikely meeting that unleashes an unpredictable series of events full of twists and turns.
While it is a romantic story, it’s also a story of human nature in which judgement and forgiveness feature prominently. It challenges the reader to think about their own perceptions of others, especially those who stand out from the crowd in one way or another.
There is some subtle adult content, so it’s not a book for young readers. That being said, that content is written with sensitivity, and is unlikely to offend adult readers.
‘Wild Rose’ is a most enjoyable read, and has been awarded a Silver Acorn.
Historically, very little is known of the early life of Gruoch, later known as Lady Macbeth. Immortalised by Shakespeare as a conniving, power -hungry shrew, audiences have been fascinated by her for centuries.
Karsak weaves a kinder tale of the young Gruoch in this excellent work of historical fantasy. History, magic and fantasy combine to tell a story of a young woman searching to discover her destiny and calling in life, while still learning who she is and the power she holds over men.
This story is so powerfully and beautifully written that it is easy to forget that this is fiction, and to believe that this really is Gruoch’s story. We see Gruoch’s strengths and vulnerability, her loyalty and hatred, her past and glimpses of her future. As readers, we love those she loves and despise those she hates, and we become deeply invested in her hopes and dreams.
The author has also incorporated some lovely nods to Shakespeare’s play, littering quotes and references to the text throughout the narrative. This very cleverly lends credibility and legitimacy to Karsak’s story, reinforcing that sense of reality and closeness to Gruoch that the reader feels from almost the first page onwards.
The story delivers a fascinating blend of mystery, fantasy, romance, and adventure in an expertly crafted package that is almost impossible to put down once started.
‘The Sorceress’ Vengeance’ is the second in The Dragon’s Heir Trilogy fantasy series by JB Richards. The stories of Kirin, Tyriel and the Fabiosa sisters are continued from ‘The Curse of the Dragon Stone’, the first exciting novella in the trilogy.
As a terrorist threat looms in the distance, Ejaenin falls victim to a deadly curse. Her sister-witches are scrambling to find a cure, but time is running out.
Kirin and Tyriel strive to help the Fabiosa Sisters with their plight, even as they try to convince The Wolf that they share a common legacy.
Meanwhile, the Sorceress, Zorella, schemes to destroy the Fabiosa Clan in a terrible plot that will allow her to seize control over the entire Realm and take vengeance on the man who spurned her and her child!
Book 1 of the trilogy is ‘The Curse of the Dragon Stone’. Read the review or find your copy here!
Find your copy of ‘The Sorceress’ Vengeance: The Dragon’s Heir Trilogy Book 2′ here.
‘Thistle Down’ introduces Pastor Ian MacCraig of St Conan’s Kirk in Lochawe, Scotland, and the various members of the congregation and community in the village in a lighthearted and warm story of two very different sisters and their prospective wedding plans.
The tone of the story is warm and familiar, aided by delightfully origina yet typically Scottish characters who speak with frankness and good humour. This book really does have the feel of one of those wonderful British TV series that one watches on a Saturday or Sunday evening, becoming immersed in a small community and the local goings on while getting to know all the neighbours.
Being a novella-length read, it was easy to read in an afternoon, and provided a wonderful escape for a couple of hours.
The third in Kerri Maniscalco’s Victorian macabre mystery series, ‘Escaping from Houdini’ is set on the Etruria, a cruise ship travelling from London to New York in 1899 with Audrey Rose Wadsworth, her beau Thomas Cresswell, and Uncle Jonathan Wadsworth aboard.
A series of gruesome murders present this Victorian forensic science team with a series of challenges and mysteries that must be solved before arriving at their destination.
The story is intricate and complex, dark and dangerous, and completely captivating. Themes of distraction, illusion and deception interweave like a macabre carnival dance. The personal consequences and implications for Audrey Rose, Thomas, and other passengers on the ship are compelling, keeping the audience engaged both mentally and emotionally in the drama as it unfolds.
Nicola Barber’s narration is expressive, fluent and most enjoyable. Barber has a definite gift for characterisation and drama that makes her storytelling lively and most enjoyable.
An excellent audiobook experience, ‘Escapting From Houdini’ has been awarded a Gold Acorn.
Elfrida, or Ælfryth, was anointed and crowned queen of England in the same ceremony that her husband, Edgar, was crowned King in 973 AD.
‘The First Queen Of England’ is the first instalment of Elfrida’s story. This is a really well-written book, based on sound research and good knowledge of the historical context of the story.
Historically, there is quite limited information available on the early life of Elfrida, but Porter has penned a well-crafted and believable personal story which, while it is fictional, is consistent what is known of both Elfrida and Edgar and their families.
This task brings with it many challenges, not the least of which is diffusing a cast of characters from the different perspectives and accounts of history which have been the subject of discussion and debate for centuries. In presenting lead characters who are engaging and interesting, but also flawed and fallible, the author has given the reader people with whom they can relate at a very human level, despite their differences in social status and experience, and the changes in society that have occurred during the vast amount of time that stands between them.
The supporting characters are likewise portrayed with not only their attractive qualities and strengths on public display, but also their motivations and interests exposed to the reader’s scrutiny. This gives the reader a rich insight into the machinations and social engineering of life at court and among the nobility in 10th century England. The characterisation is detailed, insightful and razor sharp, revealing the author’s considerable talent at filling in the blanks on the pages of history and creating characters that are complex and often quite delightful in the way they play their roles. Porter paints the settings and events in vivid colours and textures that seem almost tangible, bringing Elfrida’s home in Wessex and the King’s court at Winchester to life in such a way that each place is depicted clearly and then becomes familiar to the reader as the story progresses.
A richly and intricately detailed work of historical fiction, ‘The First Queen Of England’ is an immensely enjoyable read. It has been awarded a Gold Acorn.