I have read plenty of stories that confused me before, but this book took me to another level of bewilderment.
Without a doubt, this is the strangest collection of stories I have ever read. There are some really creative ideas, but those are frustrated by too many nonsense moments, too many absurdities and not enough development in the stories to make the ideas really work effectively.
To be honest, the burb promised ‘absurd’ and ‘bizarre’ and it certainly delivered that. I should have taken it more literally than I did.
The concept of coffee being magical is not a new one by any means, but how good would it be if a barista could brew a bit of luck or confidence into your next cup? Similarly, the tale of Cinderella is not new, but this adaptation of the story has qualities that are original and different. It is an unexpected and delightful brew indeed.
The author has given the old story a new setting and context, and provided some interesting twists to keep readers guessing.
The characters have been reinvented so that they are quite original, yet recognisable and true to the conventions of the much-loved fairy tale. The central characters are likeable and relatable, and their interactions are natural and engaging.
The target audience is YA, but it is a story that will be appealing for a much broader readership. This is a really fun and engaging read.
This is a dark, horrifying tale that grasps the reader in its talons and holds them captive, right to the end.
The different parts of the narrative seem disjointed, and to not make sense at first, but that is the intended effect: this is a nightmare, a living hell, flashes of lucidity and terror that draw the reader into the different kinds of horror that the central characters each find themselves in.
The story lurches and rolls, disorienting and impossible to predict, reflecting the turmoil of the main characters’ deepest thoughts and feelings. As the story plays out, the strands of the narrative pull together to create structure and resolution from the mayhem.
The one thing that really annoyed me was the failure of the author to differentiate between ‘slither’ and ‘sliver’, using the one word for both meanings as though the second does not exist on more than one occasion. This may seem like nit-picking, but it demonstrates yet again that there is no substitute for a good editor if an author wishes to avoid frustrating their readers.
This is not a book for the faint of heart, but it is certainly a gripping read.
A relatable, easy to read poetry collection.
This book offers vignettes of daily life and glimpses into the thoughts of a young woman. Her children, family life, personal feelings and places they visit all feature in this collection of poetry.
Some of the poems carry a kernel of a deeper truth that provoked more thought, while others skip through a scene, describing it in a way that leaves the reader nodding and smiling. In every case, it is easy to relate to the ideas expressed by the poet.
This story tells of the early life of Alexia Semiramis, a young woman who learned the soul-destroying power of both words and abuse as a child before she ever discovered that the gifts that made her different than everyone else were magical.
It is an interesting exposé of the psychology of one who has suffered at the hands of those who should have loved and treasured her, and of one who resents the qualities that set them apart from others in the first place. While it is fictional, there is much written here that will ring true for anyone who has been bullied or abused.
The writing is bold and defiant, creating an angry tone that begs for justice. Thus, this short story sets the stage for the Semiramis series, and creating a strong sense of intrigue and anticipation as to how Alexia might embrace her gifts and use them to take control of her life.
This is a non-fiction book you can read in under an hour and revolutionise your communication with people who try to manipulate or take advantage of you.
Among all the different people in this world, there are two groups who invariably find each other: those who have trouble saying no, and those who take advantage of them.
This quick and quirky self-help guide to saying no more effectively provides insights and tips on how to say “no” so that others know you mean it, and thereby reclaim your freedom from those who would readily exploit your generosity.
If you find it hard to say no to people, but really want to… this is the book you need.
In a genre that is highly competitive and very well populated, it is crucial that an author finds a way to make their work stand out from the crowd.
Kayla Krantz has achieved this bu creating a vibrant, talented and engaging protagonist who has a disability, and crafting complications and one of the mysteries of the story around the origins of Lilith’s injury.
As a reader with mobility issues of my own, this gave me a point of connection with Lilith and created instant empathy for her. Her disability is presented in a genuine and realistic way, as is the mental and emotional “conversation” she has with herself because of it. Importantly, the author demonstrates very clearly and powerfully that a disability does not define a person, nor does a physical impairment limit one’s talent, character or potential for success. Lilith is clearly a witch who happens to have a disability, not a disabled witch. This is a really important distinction.
The story is well crafted, with plenty of interest and mystery in the subplots as well as the main story. The characters are varied and complex, many with intriguing backgrounds and individual motivations that contribute to the mysterious tone of the story.
Having greatly enjoyed this first book, this is certainly a series I want to read more of.