A new reinvention of Pride and Prejudice – don’t expect the same story!
In this reinvention of ‘Pride and Prejudice’, the author has reworked the same characters and some elements of the story to create an original work based on Austen’s classic, but not consistent with it. I did enjoy some of these new twists and turns, and appreciated the author’s exploration of the stigma associated with epilepsy in the 18th century.
I found myself conflicted not by these alterations, but by the fact that the entire story is written in present tense, which gives the story the feeling of a running commentary rather than a developed storyline. While that may be a matter of personal preference, I didn’t feel as though the narration did justice to the storyline or the important ideas the author wanted to develop and explore.
I also found it odd that the characters kept on using each other’s names every time they spoke during a conversation, which felt stilted and quite redundant.
All in all, this was an enjoyable enough read, but probably better for a reader less fussy about writing style than I am.
Falling for Elizabeth Bennet has been awarded a Bronze Acorn.
Find your copy here.
One of the finest Austen variations I have had the pleasure to read.
Having read and been delighted by a number of Austen variations on previous occasions, I was most interested in Manning’s adaptation of Mansfield Park. While not my favourite of Austen’s works, I was intrigued as to what might be done to the classic novel to provide genuinely viable alternate outcomes for the characters, and hopefully to make Fanny Price more interesting than I found her in the original classic.
Lona Manning’s recreation of Mansfield Park, its inhabitants and neighbours did not disappoint. I found myself drawn into Austen’s world where the Bertram family prosper and their cousin, Fanny, is stifled amongst them. From that point, Manning’s variation is interwoven seamlessly with the original until Austen’s story is found to be completely changed. More than once, I had to think back and remind myself of what had happened in the original text, until I gave up on doing that and simply allowed myself to be carried away by Manning’s narrative.
‘A Contrary Wind’ is well-written, keeping in step with the language and writing style used by Austen to tell her stories, while being mercifully less wordy about some of the characters’ more trifling thoughts and decisions than Mansfield Park itself.
I thoroughly enjoyed this book, and consider it to be one of the finest Austen variations I have had the pleasure to read.
‘A Contrary Wind’ has been awarded a Gold Acorn.
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