This is a short, macabre story that unsettles rather than horrifies the reader. It raises questions about the values of society as a whole and of different groups of people within it.
The story is quite well written and developed, building tension as the narrative progresses. It is an enjoyable enough read, although one which most readers will not really find scary.
Overall, it’s a decent story, with some good macabre moments.
What would you do if you held power that nobody else knew about? Most people would like to think they would use it for good, but this story explored just how easy it would be to manipulate things to suit our own interests.
The main character is likeable enough at the outset, and seems to have good intentions. The other characters in the story are a realistic cross-section of society: his family, classmates and teachers.
The narrative is interesting and quite relatable, albeit less easy to identify with as it gets darker. The twist before the ending is both confronting and horrific, but the conclusion escalates that even further.
This is a well-crafted story that lures the reader in and then ambushes them with darkness.
Given that it is easily read in less than half an hour, it makes perfect reading for busy people looking for excellent dark fiction short reads.
This is a quite a wistful and quirky read on one hand, yet quite dark and confronting on the other.
A deep sense of irony pervades the story and highlights the tragedy of the backstory which Roger reveals to Emma when she meets him at their old school. It is certainly thought-provoking about what comes after death and the likelihood that the spirit world could exist right alongside, or even intersect with, our own.
The raw reality of suicide and the jolting power of grief and survivor’s guilt are treated with sensitivity and empathy, and the story cleverly positions the reader to understand the perspectives of both Roger and Emma, and other people known to them both, as they share their experiences.
This story may be personally challenging to those who have lost friends or loved ones to suicide, but it may also offer some reassurance and objectivity through the different perspectives of the characters.
It is a testament to the skill of the author that the story is very well balanced and poignant, given its serious and sombre themes.
This is an interesting Arthurian dark fantasy tale that explores the relationship between Arthur and Morgan. Told from Morgan’s point of view, the reader is treated to a very different perception of Arthur than that told by the more popular legends.
The opening paragraph is stunning, and most of the writing is quite good, so the prescence of some fairly basic errors was disappointing. A careful proofreading and edit would make a significant difference to the finished quality of the story.
Overall, the story is quite enjoyable.
This is a collection of poems and short stories In the style of folk tales and fables, with darker themes and motifs that make them ideally suited for October reading.
The stories are quite well-written, although not particularly complex or deep. Each set of related stories is introduced by a poem that introduces the key idea that connects the poem and subsequent stories to each other.
This book was an entertaining enough read to be a pleasant diversion at the end of a busy day, but would probably not satisfy one’s desire for a deeper, more compelling story or a truly horrifying read.
A powerful, dark short story.
This is a powerful story of one man’s descent into darkness. The author has drawn the reader into that journey by positioning them to look over Alex’s shoulder to see what he sees, but also by expressing the character’s thoughts and feelings in a really natural and familiar way. It’s a very good story, combining elements of horror, macabre, and suspense to keep the reader in the grip of the rising tension as the story progresses.
Perhaps the most striking quality of the story is the writing itself. It’s lean and precise but, at the same time, incredibly sensory and poetic. Hawkins skilfully causes imagery to flash into the mind of the reader and linger for a moment in such a way that the reader can not only see but also smell and taste those images, until the next scene and the next image takes its place. Hawkins makes great use of suggestion and foreboding to gradually darken the story, allowing the reader time to hypothesise and question before reaching the conclusion of the story. These elements combine to imbue the story with a nightmarish quality that evolves subtly at first and grows stronger as the tension of the story builds.
It’s a short read, but one that has a significant impact on the reader.
‘Warm Shelter’ has been awarded a Gold Acorn for excellence.
Find your copy here.
A short story laden with fear and doubt, the author takes the reader on a dark road with Aria. Aria is unknown but the urgency and desperation that Gregory creates is effective in hooking the reader into Aria’s flight and developing sympathy for her situation.
The story is well-crafted and comes with a great twist that is delivered very effectively.
Road To Terror has been awarded a Silver Acorn.
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