Dark, witty and ironic, ‘Good Omens’ is a brilliant read. This should come as no surprise, given that its authors are both creative geniuses.
This audiobook recording is brilliant. The casting is fabulous and the performances are outstanding, making this an excellent listening experience which is entertaining and thought-provoking at the same time.
’Good Omens’ ticks all the boxes for the perfect dark comic fantasy.
Set in Dublin and framed in the context of a murder case that is about to go to trial, this intriguing story immerses the audience in the lives of two very different sisters and their individual perspectives of the investigation, both of which are complicated by inner conflicts and their family’s own dark backstory.
The murder case at the centre of the story presents a unique set of challenges, and requires the ingenuity and commitment of both sisters to find the answers and see justice delivered.
The story is very well written and the narration by Aoife McMahon is expressive and engaging.
This novella-length story serves as a prequel to Goodwin’s The Forensic Genealogist historical mystery series featuring Morton Farrier, using an intriguing research case to frame the beginning of Morton’s relationship with Juliet.
Morton’s investigation takes him back to 1924 and the death of a young woman in an asylum. The results of his research are completely unexpected, in more ways than one.
The story is well-constructed and highly engaging, with some really nicely crafted creepy moments and great twists to keep the reader guessing.
The narration is clear, well-paced and most enjoyable to listen to. The audiobook runs for a little over 2 hours, a great length to for well into a quiet afternoon, a drive or a longer commute.
A work of historical fiction, although based on the life story of one of the author’s forebears, this is an interesting story that is probably quite realistic about the prospects of a younger daughter of a prominent family during the early years of the reign of James I.
I confess I almost stopped listening as early as the prologue, in which a man speaking as though he were present when the young Princess Elizabeth was taken into the Tower of London was still alive as its Keeper in 1617. I returned to the beginning and listened again, decided the way in which that section was phrased was ambiguous, and continued with the story.
The main character, Lucy, seems at times to be almost too virtuous to be quite believable, although she does have her moments where her flaws and human nature are revealed, in which she seems more relatable. For some readers, her tale will evoke deep sympathy, while others may feel she spends too much time engaging in self-pity and decrying her lot in life as the victim of the selfishness and vanity of various other people.
The most believable characters are the hateful ones: Lucy’s sister Barbara, Aunt Joan, and Frances Howard. These characters exemplify the worst of human nature, along with a certain young man who is fickle at best and heartless at worst. It is in disliking these characters that the reader feels the most empathy with Lucy.
The narration is most enjoyable, with lively expression and very good use of tone, voice and accent to bring the characters to life.
Overall, it is a fairly good story, expertly narrated.
Elfrida, or Ælfryth, was the first anointed and crowned queen of England, ruling alongside her husband, Edgar, in the 10th century.
‘The First Queen Of England’ Part 2 is the second instalment of Elfrida’s story, and shows just how strong and resilient she was in a world dominated by patriarchy, politics and warfare.
Just like the first book in the series, this book is very well written and is entirely consistent with the historical context of the story, even though it is undoubtedly fiction.
It is a significant achievement on the author’s part to reanimate characters from the long-distant past in such a way that the reader feels as though they know them and can understand their concerns, cares and motivations. It is pleasing to witness the dynamics of the characters as they mature, and intriguing to observe the intricacies of the machinations and politics at court and the personal impact on the queen and king as individuals as well as rulers.
The narration by Sheila Daly Payson is most enjoyable. Her voice is pleasant and her reading is fluent. Her characterisation of the different roles is effective, and really brings the various characters to life.
As richly detailed and intriguing as part 1, ‘The First Queen Of England, Part 2’ is a most enjoyable story. This is in every aspect a very pleasurable audiobook experience, and is also available as an ebook or paperback.
The past holds all sorts of mysteries for those who enjoy researching their family tree. But what if no such avenue of research is available? What if someone were to find that their past simply didn’t exist?
Despite the fact that Peter Coldrick has no family and no family tree, his past does catch up with him in a way that sets Morton Farrier on a course of investigation that led to places that neither he nor the reader could possibly expect.
This is a really interesting mystery story with a refreshing perspective that presents new opportunities and avenues for investigation than amateur sleuths or police detectives usually employ. The story also draws on some intriguing elements of World War II history as the background for an investigation that takes place seventy years later and in a completely different context.
The narration by Jonathan Ip is very good indeed. He has a very pleasant voice to listen to, and portrays the different characters very effectively. His reading brings the story to life, and immerses the audience in the story as an eyewitness to the drama and action as it takes place.
All in all, a great story and an excellent narration.
The third book in Phyllis Entis’ ‘Damien Dickens Mysteries’ crime/detective series, ‘The Chocolate Labradoodle Caper’ continues the story of private investigators Damien and Millie Dickens with new challenges and investigations, at the same time taking them into new territory in their relationship.
This is an exciting and tension-filled story with some very interesting and quite unexpected twists. I enjoyed the suspense and the interaction between different characters, and I loved the chance to revisit Montreal as I enjoyed the narrative.
The narrator has a nice, clear voice and is easy to listen to. His reading is expressive and fluent, and his use of register, accent and inflection in his characterisation is consistently good.
Overall, this was an excellent audiobook experience.
‘The Chocolate Labradoodle Caper’ has been awarded a Gold Acorn.
Find your copy of the audiobook or the novel here.